skip to Main Content

Romana Iorga

Romana Iorga This Silence Is the Largest I Could Find It has no doors, no windows.Yes, you may crawl inside it, but you must dig.I don’t know how long it will take.What spade? Use your fingers, your toes.Your teeth, if…

Read More

Sonya Schneider

Ode to My BreastsI have no memory of the buds, the hard fistsof hormones hauling you up not unlikethe earth moved by velvety voles.Warm friends, I underestimated you.You grew out of sinewy muscle and fat,that dirty word, that dense tissuewhy…

Read More

Hereinafter Denied, Hereinafter Forgotten: No Sign by Peter Balakian and History of Forgetfulness by Shahé Mankerian  

Hereinafter Denied, Hereinafter Forgotten: No Sign by Peter Balakian and History of Forgetfulness by Shahé Mankerian   Artsakh is a sign, as is Mt. Ararat, where, according to the Biblical account, Noah’s Ark found its final rest. Genocide, the neologism coined…

Read More

Intern’s Review

A review of Claire Dederer's Monsters: A Fan's Dilemma by Kathryn Mussenden, Potomac Review Intern spring 2024   What do we do when bad people make good art? Claire Dederer’s Monsters: A Fan’s Dilemma struggles with this. It is a…

Read More

An Interview with Andrew Furman

Andrew Furman, whose story “Crawling” appears in issue 73, is a Florida writer. He’s lived in the state for thirty years, writes widely about its people and its environment, and is (among many other things) the author of the memoir…

Read More

Commonspire

Editor’s Note: Commonspire My reach exceeded my grasp, but when I coined the title to this note in an essay on the Potomac Review website in October 2016, the neologism was meant to suggest a vision for the future that…

Read More

Cadence and Disclosure

Editor’s Note:  Cadence and Disclosure by Albert Kapikian Like other literary journals, a literary journal that issues out of a community college issues out of a collaboration between the arts and the humanities, between, that is, writers and editors, those…

Read More
Back To Top