The films will be screened in-person at the venue at 7 p.m. If you prefer to stream this film at home, please reserve a ticket and we will send you the link.




he Monday Night Film Series has seen a tremendous growth in popularity since Parilla Performing Arts Center first introduced it in the 2011 – 2012 season. Over the ensuing years, we have screened over a hundred of the best arthouse films ever made, by some of the most famous directors from around the globe. We are pleased to present these masterpieces, free and open to the public, for both film buffs and newcomers to the genre alike!


 Robert Epstein, United States, 1984, 88 minutes, Color|

October 11, 2021 at 7 p.m.

A true twentieth-century trailblazer, Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world. The Oscar-winning The Times of Harvey Milk, directed by Robert Epstein and produced by Richard Schmiechen, was as groundbreaking as its subject. One of the first feature documentaries to address gay life in America, it’s a work of advocacy itself, bringing Milk’s message of hope and equality to a wider audience. This exhilarating trove of original documentary material and archival footage is as much a vivid portrait of a time and place (San Francisco’s historic Castro District in the seventies) as a testament to the legacy of a political visionary.


 Kenji Mizoguchi, Japan, 1953, 97 minutes, B&W, Japanese (English subtitles)

October 18, 2021 at 7 p.m.

“Quite simply one of the greatest of filmmakers,” said Jean-Luc Godard of Kenji Mizoguchi. And Ugetsu, a ghost story like no other, is surely the Japanese director’s supreme achievement. Derived from stories by Akinari Ueda and Guy de Maupassant, this haunting tale of love and loss—with its exquisite blending of the otherworldly and the real—is one of the most beautiful films ever made.


 David Lynch, United States, 1977, 89 minutes, B&W

October 25, 2021 at 7 p.m.

David Lynch’s 1977 debut feature, Eraserhead, is both a lasting cult sensation and a work of extraordinary craft and beauty. With its mesmerizing black-and-white photography by Frederick Elmes and Herbert Cardwell, evocative sound design, and unforgettably enigmatic performance by Jack Nance, this visionary nocturnal odyssey continues to haunt American cinema like no other film.


 Ingmar Bergman, Sweden, 1957, 92 minutes, B&W Swedish/Latin (English subtitles)

November 1, 2021 at 7 p.m.

Traveling to accept an honorary degree, Professor Isak Borg—masterfully played by veteran director Victor Sjöström—is forced to face his past, come to terms with his faults, and make peace with the inevitability of his approaching death. Through flashbacks and fantasies, dreams and nightmares, Wild Strawberries dramatizes one man’s remarkable voyage of self-discovery. This richly humane masterpiece, full of iconic imagery, is a treasure from the golden age of art-house cinema and one of the films that catapulted Ingmar Bergman to international acclaim.


 John Huston, United States, 1979, 105 minutes, Color

November 8, 2021 at 7 p.m.

In this acclaimed adaptation of the first novel by legendary Southern writer Flannery O’Connor, John Huston vividly brings to life her poetic world of American eccentricity. Brad Dourif, in an impassioned performance, is Hazel Motes, who, fresh out of the army, attempts to open the first Church Without Christ in the small town of Taulkinham. Populated with inspired performances that seem to spring right from O’Connor’s pages, Huston’s Wise Blood is an incisive portrait of spirituality and Evangelicalism, and a faithful, loving evocation of a writer’s vision.


 Marcel Carne, France, 1942, 121 minutes, B&W French (English Subtitles)

November 29, 2021 at 7 p.m.

A work of poetry and dark humor, Les visiteurs du soir is a lyrical medieval fantasy from the great French director Marcel Carné. Two strangers dressed as minstrels (Arletty and Alain Cuny) arrive at a castle in advance of court festivities—and are revealed to be emissaries of the devil, dispatched to spread heartbreak and suffering. Their plans, however, are thwarted by an unexpected intrusion: human love. Often interpreted as an allegory for the Nazi occupation of France, during which it was made, Les visiteurs du soir—wittily written by Jacques Prévert and Pierre Laroche, and elegantly designed by Alexandre Trauner and shot by Roger Hubert—is a moving tale of love conquering all.